Calvert of Strathore — Reading Notes

(0 User reviews)   19
Goodloe, Abbe Carter, 1874-1960 Project Gutenberg 2004 Not confirmed
Historical fiction; France -- History -- Revolution, 1789-1799 -- Fiction; Paris (France) -- Fiction; Americans -- France -- Fiction; Jefferson, Thomas, 1743-1826 -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 100,608
Reading time 438 min
Text sections 9

Calvert of Strathore — Reading Notes can be approached with a clearer sense of reading commitment from its source measurements: 100,608 words, 7 hr 18 min estimated reading time, and 9 detected text sections.

The text analysis averages about 20.0 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Historical fiction,” connecting these edition facts with the source record’s subject description.

An editorial note on the structure, recurring images, and movement between scenes in Abbe Carter Goodloe's historical novel set in 1789 Paris, focusing on the American Legation, the Palais Royal, and Versailles.
Share
Editorial Edition Score 4.8/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

Jefferson had installed himself as accredited minister to France after the return of Dr. Franklin to America, presented an appearance different from its usual quiet.

Across the courtyard, covered with snow fallen during the might, which glittered and sparkled in the brilliant wintry sunshine, grooms and stable-boys hurried between écuries and remises, currying Mr. Jefferson's horses and sponging off Mr. Jefferson's handsome carriage, with which he had provided himself on setting up his establishment as minister of the infant federation of States to the court of the sixteenth Louis. At the porter's lodge that functionary frequently left his little room, with its brazier of glowing coals, and walked up and down beneath the porte-cochère, flapping his arms vigorously in the biting wintry air, and glancing between the bars of the great outer gate up and down the road as if on the lookout for some person or persons. In the hotel itself, servants moved quickly and quietly about, setting everything in the most perfect order.

At one of the windows which gave upon the extensive gardens, covered, like all else, with the freshly fallen snow, Mr. Jefferson himself could now and then be seen as he moved restlessly about the small, octagonal room, lined with books and littered with papers, in which he conducted most of his official business. A letter, just finished, lay upon his desk. 'Twas to his daughter in her convent of Panthemont, and full of that good advice which no one ever knew how to give better than he. The letter being folded and despatched by a servant, Mr. Jefferson was at liberty to indulge his restless mood. This he did, walking up and down with his hands clasped behind his back, as was his fashion; but, in spite of the impatience of his manner, a smile, as of some secret contentment or happy anticipation, played about his lips. At frequent intervals he would station himself at one of the windows which commanded the entrance of the hotel, and, looking anxiously out at the wintry scene, would consult the splendid new watch just made for him, at great cost, by Monsieur l'Epine.

It was on the stroke of twelve by Monsieur l'Epine's watch when Mr. Jefferson, gazing out of the window for the twentieth time that morning of February 3d, saw a large travelling berline turn in at the big grille and draw up under the porte-cochère in front of the porter's lodge. In an instant he was out of the room, down the great stairway, and at the entrance of the rez-de-chaussée, just as the postilion, dismounting, opened the door of the carriage from which emerged a large, handsome man of about thirty-five or six, who moved with surprising agility considering the fact that he boasted but one good leg, the other member being merely a wooden stump. He was followed by a younger man, who sprang out and waited respectfully, but eagerly, until Mr. Jefferson had welcomed his companion.

"Mr. Morris!--my dear sir! welcome to Paris! welcome to this little spot of America!" said Mr. Jefferson, shaking the older man cordially by the hand again and again and drawing him toward the open door. And then passing quickly out upon the step to where the young man still stood looking on at this greeting, Mr. Jefferson laid a hand affectionately on his shoulder and looked into the young eyes.

"My dear boy, my dear Calvert!" he exclaimed with emotion, "I cannot tell you how welcome you are, nor how I thank you for obeying my request to come to me!"

"The kindest command I could have received, sir," replied the young man, much moved by Mr. Jefferson's affectionate words and manner.

Turning, and linking an arm in that of each of his guests, Mr. Jefferson led them into the house, followed by the servants carrying their travelling things.

"Ah! we will bring back Virginia days in the midst of this turbulent, mad Paris. 'Tis a wild, bad place I have brought you to, Ned," he said, turning to the young gentleman, "but it must all end in good--surely, surely." Mr. Jefferson's happy mood seemed suddenly to cloud over, and he spoke absently and almost as if reassuring himself. "But come," he added, brightening up, "I will not talk of such things before we are fairly in the house! Welcome again, Mr. Morris! Welcome, Mr. Secretary!"--he turned to Calvert--"It seems strange, but most delightful, to have you here." Talking in such fashion, he hurried them up the great stairway as fast as Mr. Morris's wooden leg would permit, and into his private study.

The opening chapter of Calvert of Strathore establishes a pattern of contrast between interior and exterior spaces that persists throughout the excerpts. The narrative begins inside the American Legation, where suppressed excitement and meticulous preparation are described, then immediately moves to the snow-covered courtyard and the glittering winter sunshine outside. This oscillation between enclosed, politically charged rooms and open, often symbolic landscapes—such as the gardens of Versailles—becomes a structural device that mirrors the protagonist's navigation of revolutionary France.

The Legation as a Threshold

The Legation at Paris serves as a recurring spatial anchor. In the first chapter, it is depicted as a place of controlled order: servants hurry, horses are groomed, and Mr. Jefferson moves restlessly in his octagonal study. The building itself is a threshold between the American minister's diplomatic duties and the volatile French society outside. Later, the Legation reappears as a site where Americans gather, such as the dinner with Monsieur de Lafayette (Chapter XIII). The narrative often uses the Legation as a point of departure for excursions into the city or the court, reinforcing the protagonist's role as an observer caught between two worlds.

Movement Through Parisian Spaces

The excerpts show a deliberate choreography of movement through Parisian locales. From the Legation on the Champs-Élysées, the story shifts to the Palais Royal (Chapter IV), then to Versailles for the King's levee (Chapter XI). Each location carries distinct atmospheric and political weight. The Palais Royal is associated with intrigue and public gathering, while Versailles is rendered with elaborate descriptions of its gardens, fountains, and statuary. The journey from the Legation to Versailles is not merely geographic but symbolic, moving from the relative simplicity of American diplomacy to the ornate, decaying grandeur of the French monarchy.

Recurring Images of Snow, Light, and Statuary

Several images recur across the excerpts, creating a cohesive sensory texture. Snow appears in the opening scene—"covered with snow fallen during the night"—and later at Versailles, where moonlight replaces sunlight. Light itself is a motif: the "brilliant wintry sunshine" of the Legation courtyard contrasts with the "white moonlight" on the terrace at Versailles. Statuary is another persistent element. At Versailles, the narrator lingers on the Fountain of Latona, the Bassin d'Apollon, and figures of Venus, Ganymede, and Bacchus. These classical references evoke a world of myth that stands in tension with the historical upheaval of 1789.

The King's Levee and the Queen's Withdrawal

One of the most structurally telling scenes is the King's levee (Chapter XI). The narrative moves from the crowded, tense audience chamber to the gardens, following Calvert's exit after the Queen's withdrawal. The description of the King's shifting mood—from anger to weariness—is mirrored by the spatial shift from the interior of the palace to the open terrace. The Queen's departure drains "all the zest and animation" from the function, and Calvert's subsequent solitary walk through the moonlit gardens provides a reflective pause. This pattern of public tension followed by private contemplation recurs in other chapters, such as the duel (Chapter XVIII) and the hazardous enterprise (Chapter XXI).

Readers may find it useful to track how the protagonist's movements between the Legation, the Palais Royal, and Versailles correspond to shifts in narrative tone and political tension. The recurring imagery of snow, light, and classical statuary is not merely decorative but reinforces the novel's meditation on transience and change. Pay attention to how the structure of each chapter—often beginning in a confined space and ending in an open one—shapes the reader's experience of the historical moment.

Reading Calvert of Strathore, I kept noticing how Goodloe lets lantern-light and carriage wheels carry us between Paris and Versailles, and it reminded me of my old copy of The Rover — Edition Insights, where the page edges had gone soft from turning. Some stories just settle into you like that, slowly, leaving a trace you can’t quite name.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
  • ...
    Ryan Roberts - 3 weeks ago
    Calvert Of Strathore offers an interesting glimpse into the Napoleonic era with a well-crafted protagonist. The historical details are accurate, but the plot sometimes meanders, and the pacing feels uneven. Still, it's a reasonably enjoyable novel with moments of excitement.

  • ...
    Mary Alexander - 2 weeks ago
    Calvert Of Strathore is a tedious read. The narrative lacks focus, and the characters are forgettable. The so-called adventure is dull, and the prose is heavy-handed. I struggled to finish it, and I wouldn't recommend it to anyone looking for a gripping historical tale.

  • ...
    Meghan Kaiser - 1 week ago
    Calvert Of Strathore is a delightful historical adventure that transports you to the courts of Europe. The hero's journey is engaging, and the vivid descriptions make the era come alive. Filled with political intrigue and a touch of romance, it's a thoroughly satisfying read for anyone who enjoys classic historical fiction.


Reader reflection

Record your reading impressions

A brief reflection can help important ideas stay with you longer.

Your progress 0 / 10
1

Have you finished this book?

2

Was reading this book enjoyable?

3

Would you encourage someone else to read it?

4

How easy was the book to follow?

Related eBooks