Fix bayonets! — Reading Notes

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In Category - War Society
Thomason, John W., Jr. (John William), 1893-1944 Project Gutenberg 2025 Not confirmed
World War, 1914-1918 -- Fiction; War stories, American; United States. Marine Corps -- Fiction; United States -- History, Naval -- 20th century -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 43,576
Reading time 190 min
Text sections 14

For Fix bayonets! — Reading Notes, the stored edition analysis reports 43,576 words, 3 hr 10 min estimated reading time, and 14 detected text sections.

The text analysis averages about 17.1 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “World War, 1914-1918 -- Fiction,” connecting these edition facts with the source record’s subject description.

John W. Thomason's 1926 collection of linked stories follows U.S. Marines in the 1918 Aisne-Marne offensive, blending firsthand observation with a novelist's eye for detail. The prose shifts from panoramic battle scenes to intimate moments of exhaustion and dark humor, capturing the specific texture of Marine Corps identity and combat.
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Editorial Edition Score 4.8/5

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

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said the platoon sergeant dreamily. “I remember just what the cuts of beef are. There’d be fine sirloin on that cow-critter, now.... Mr. Ashby (another flight of 77s burst in the wood), if we was to take that cow over an’ tie her in that brush—she oughten to be out here in the open, anyway—might draw fire ... shell’s liable to hit anything, you know, sir——”

“Sergeant, you heard what the colonel said. But if you think she’d be safer—I’d suggest volunteers. And by the way, sergeant, I want a piece of tenderloin—the T-bone part——”

The cow was duly secured in the wood, men risking their lives thereby. The Boche shelled methodically for two hours, and the Marines were reduced to a fearful state of nerves—“Is that dam’ heifer gonna live forever?—” Two or three kilometres away fighting was going on. The lieutenant, with his glass, picked up far, running figures on the slope of a hill. You caught a flicker, points of light on the gray-green fields—bayonets. Occasional wounded Frenchmen wandered back, weary, bearded men, very dirty. They looked with dull eyes at the Americans—“_Très mauvais, là-bas! Beaucoup Boche, là_—” The Marines were not especially interested. Their regiment had been a year in France, training. Now they, too, were dirty and tired and very hungry. The war would get along ... it always had.

A week ago, Memorial Day, there had been no drills. The 2d Division, up from a tour in the quiet Verdun trenches, rested pleasantly around Bourmont. Rumors of an attack by the 1st Division, at Cantigny, filtered in. Cantigny was a town up toward Montdidier. Notions of geography were the vaguest—but it was in the north, where all the heavy fighting was. It appeared that the 2d was going up to relieve the 1st.... “Sure! we’ll relieve ’em. But if they wanted a fight, why didn’t they let us know in the first place?—We’d a-showed ’em what shock troops can do!”

The division set out in camions; in the neighborhood of Meaux they were turned around and sent out the Paris-Metz road, along which the civilian population from the country between the Chemin des Dames and the Marne, together with the débris of a French army, was coming back. No man who saw that road those first days of June ever forgot it. A stream of old men and children and old and young women turned out of their homes between two sunrises, with what they could carry in their hands. You saw an ancient in a linen smock and sabots, trundling a wheelbarrow, whereon rode a woman as old as himself, with a feather-bed and a selection of copper pots and a string of garlic. There were families in amazing horse-drawn vehicles, models of the Third Empire, and horses about as old, clutching unreasonable selections of household effects—onyx clocks and bird-cages and rabbits—what you like. Women carrying babies. Children—solemn little boys in black pinafores, and curly-headed, high-nosed little girls, trudging hand-in-hand. People of elegance and refinement on inadequate shoes. Broad-faced peasants. Inhabitants of a thousand peaceful little villages and farms, untouched by the war since 1914. Now the Boche was out again, and those quiet places, that had drowsed in obscurity while generations lived and worked and died, were presently to be known to all the world—names like Bouresches, and Belleau, and Fismes, and Vierzy, and Fismettes. They walked with their faces much on their shoulders, these people, and there was horror in their eyes. The Marines took notice of another side of war.... “Hard on poor folks, war is.” “You said it!”—“Say—think about my folks, an’ your folks, out on the road like that!...” “Yeh. I’m thinkin’ about it. An’ when we meet that Boche, I’m gonna do something about it—Look—right nice-lookin’ girl, yonder!”

John W. Thomason, a Marine captain who served in the 5th Regiment, wrote these stories from direct experience. The opening anecdote of a wounded Marine insisting “I’m a Marine” rather than an American sets the tone: this is a book about a particular tribe, not a general war. The prose moves between panoramic battle scenes—wheat fields, machine-gun nests, the Vierzy ravine—and quiet moments of exhaustion and dark humor. Thomason’s eye for detail is sharp: the “freckled boy” who goes mad with his bayonet after his brother is killed, the tank crew asking for cigarettes, the way men “crawl and shoot low among the poppies.” The result is a work that feels both documentary and literary, grounded in the physical specifics of the 1918 Aisne-Marne offensive.

The Texture of the Marine Corps

Thomason devotes his introduction to cataloguing the men of the Marine Brigade: Northwesterners with “straw-colored hair,” Eastern university men, Pacific-coast lumberjacks, drawling Southerners, and “diverse people who ran curiously to type, with drilled shoulders and a bone-deep sunburn.” Their speech is flavored with navy words and phrases from ports around the world. This is not a generic army; it is a specific institution with its own culture, one that Thomason treats with affectionate precision. The stories that follow show that culture under extreme pressure—the way a gunnery sergeant commandeers a German 105mm gun and turns it on the enemy, or how a lieutenant coolly assesses a map reference while surrounded by dead and wounded. The book’s title, Fix Bayonets!, is both a literal order and a symbol of the Marine ethos of closing with the enemy.

Combat as Fragmentary Experience

The battle sequences resist neat narrative. Thomason writes that “the rest was no connected story. Only the hot exaltation of the fight kept the men on their feet.” The prose itself becomes fragmentary: “There was crawling and shooting low among the poppies, and presently hand-to-hand fighting.” The reader is plunged into the same confusion as the participants. Details emerge in sharp bursts: a tank “stalled, its guns not working,” swarmed by Germans prying at its plates with bayonets; a hidden strong point in the wheat; a battery of 105s firing point-blank. Thomason does not explain the larger tactical picture; he gives the sensory overload of the front line. The effect is immersive and unsettling, a deliberate refusal to impose order on chaos.

Moments of Dark Humor and Humanity

Amid the violence, Thomason includes small, telling details that undercut the horror. After the tank is rescued, a “greasy, smiling Frenchman emerged head and shoulders and inquired after a cigarette.” A lieutenant, surveying his thin line, says, “Accordin’ to the map, we’re here. Turn those Boche machine-guns around—guess we’ll stay.” The humor is laconic, understated—a survival mechanism. These moments do not diminish the brutality; they make the men more human. The book also acknowledges the psychological toll: the freckled boy who “went himself quite mad among the wounded and the corpses with his bayonet.” Thomason does not dwell on trauma, but he does not ignore it. The result is a portrait of men who are both capable of extreme violence and capable of wry observation.

Readers should approach Fix Bayonets! as a series of linked episodes rather than a continuous narrative. Thomason’s background as an illustrator is evident in his visual, almost cinematic descriptions; the book rewards attention to small physical details—the look of wheat waist-high, the sound of a tank’s one-pounder gun, the feel of a sunken road. The stories are best read slowly, allowing the cumulative effect of exhaustion and exaltation to build. They offer a specific, unromanticized view of the Marine Corps in 1918, one that avoids both jingoism and antiwar sermonizing.

There’s a moment in Thomason’s book when the noise drops away, and you’re just left with men and their tired jokes. That same intimacy surfaces in Strange True Stories of Louisiana — Story, Setting & Ideas, though it trades mud for river mist. I keep thinking how both make history feel like someone leaning close to tell you a secret.

Isaac Green
1 week ago

Isaac Williams
1 month ago

4.5
4.5 out of 5 (2 User reviews )

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    James Hahn - 1 month ago
    "Fix Bayonets" is a gripping collection of World War I tales that captures the raw courage and camaraderie of soldiers in the trenches. The author's firsthand experience shines through in authentic dialogue and visceral descriptions of combat. Each story is a powerful reminder of the human spirit under fire, blending heroism with heartbreak. This book is essential reading for military history enthusiasts and anyone who appreciates powerful war literature.

  • ...
    Julia Cory Woodward - 3 weeks ago
    "Fix Bayonets" offers a poignant look at the Great War through the eyes of a soldier. The writing is straightforward and honest, providing a realistic sense of the battlefield. Some stories are more compelling than others, and the lack of a unified narrative might deter readers expecting a novel. However, as a series of vignettes, it effectively conveys the chaos and tragedy of war, making it a decent choice for history buffs.

  • ...
    Becky Church - 2 weeks ago
    Although "Fix Bayonets" has historical value, it reads like a series of disconnected anecdotes that never form a cohesive whole. The prose is often flat, and the characters are barely sketched, making it hard to emotionally engage with their fates. Repetitive descriptions of trench life grow tedious, and the book lacks the analytical depth that modern readers might seek in war memoirs. A disappointing effort that adds little to the genre.


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